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OVERCOMING REJECTION

"The Days" by Joe Konrath

Let the days stand up
In a single file line
for close inspection

The time has come, my friends
for some serious reflection
on the way innocence ends.

Life fluttered down
like drooling bats
and fed
upon my hope.

My youthful dreams
(or so it seems)
were spontaneously born
to their ever-present state
like the facade of a never ending wall...

One by one I've watched bricks fall.

Faster than I could replace them
Much to fast to even chase them
Too many to count
An ugly amount
My wall became a pile.

Let this be a message sent
Hope is not a good cement.

And so I screamed
at the great mess
Screamed while time slowly
progressed
As time usually does
Burying what never was.

And then I sat
Upon my pile
And cried
For more than quite a while
My dreams had died
Were buried under bricks and bricks and bricks...

A gravesite for the non-essential
The tombstone read "He had potential."

I sat and sat
and found the hours
were possessed
with magic powers
For they'd turned into weeks.

And when
I finally led my feet
and head to leave
behind the dead
I stumbled into
troubled sleep
leaving brick-dreams far away--
Then I opened my eyes and it was today.

Now how should I continue?

Should I rage against my yesterdays?
Stoke the fire with my hands?
Refight all my private wars
with indignation in command?

Should I pull the stitches
on old wounds
to see if they are healed?

The problem is not mine alone
though selfish I may sometimes be
Impotence is universal
not exclusive to me.

So...
Inspect the days with a jeweler's loupe
Select and keep the precious few
Reject the ones that drip with pain
Elect to have no more that do
Reflect on those that still remain
For those make up the meat of time.
Life in neither good nor bad
Homogenous the paradigm.

And when the shadows of depression
Lead you to your next couch session
Unlock the door before you leave--

You'll back, for this is not
the end of time
as some believe.

Armageddon's far away...
This is simply New Years Eve.

"The Days" was written by me after one of my many hard rejections in the publishing biz (success was almost within reach, and then the world collapsed. This has happened more times than I like to think about.) It takes a lot of guts to send out stories to editors and agents. After a dozen form letter rejections by industry pros, most of us really start to question our talent. If I was good enough, I'd be published, right? Er... well... kind of.

In order to be published, you have to be able to tell a good story with as wide of an appeal as possible, and do it in a way that is both creative and entertaining, while conforming to a few certain absolutes concerning style and structure. So, yes, being able to do this (if you want to call this talent), plays a large part in if your work is accepted or not. But it's entirely possible that you can do all of this, and still get rejected.

Many writers, myself included, have many tales about 'almost making it', just to have unknown Factor X come in and poo-poo all over our parades. Factor X can come in a myriad of disguises; bad agents, agents who quit, publishers who don't care, editors who changes houses, scams, your book is behind the trend, your book is ahead of the trend, your book defies genres, publishers who go out of business, POD and vanity publishers, last minute change of minds, pros who promise the world and deliver nothing-- and all of these are ones we've actually experienced. I'm sure Factor X has many other faces as well.

So, even if you do EVERYTHING right, you may still fail. Which is a huge blow to the ego.

When it happens a couple of times, you begin to question the reason you wanted to write in the first place. Am I a masochist? Why doesn't someone just tell me the honest truth-- that I suck and I'll never get published?

Well, part of the problem is that many of us still treat publication like winning the lottery. It's a one in a million dream. Querying an agent is akin to buying a lotto ticket at the Supermart. The smarter way to look at it is by using this simple syllogism:
There have been books published that aren't very good.

I'm positive I can write better than some of the published books I've read.

It is inevitable, if I keep trying, that someday I'll be published.
Why can everyone name a few dozen books that were lousy? These lousy books somehow got through the system. They bypassed rejection. Many of them are even first books by new authors. So what is their secret? Determination and persistence. If you keep digging holes in your back yard, you'll eventually hit oil. It may be ten miles down, but it's there. You just need to keep trying.

I've gotten over 400 rejections, and I still get them every week. Do you know what's worse? Not getting a single rejection, because you've never tried.

Don't be the person who never tries. The things worthwhile in life are the things worth fighting for.

A WRITER'S MANTRA

1. It is inevitable, if I keep trying, that someday I'll be published. A professional is an amateur who didn’t quit.

2. I won't take rejection personally. Each rejection is one step closer to publication. Most rejections have nothing to do with how good the writing is.
 

3. I will have faith in my work, but always remain open to suggestion and change.

4. I will keep writing, keep submitting, keep marketing, and never surrender. Ultimately, getting published rests squarely on one person’s shoulders–mine.
 


SEVEN TIPS FOR GETTING INTO PRINT

1. Always listen to industry pros; even if they wind up being wrong, you’ll learn from the experience.
 

2. Seek criticism, not praise. Knowing what’s wrong will help you improve.
 

3. Be ready and willing to rewrite and edit, a lot.
 

4. Read what’s currently selling.
 

5. Don’t take rejection personally. This is a business, so be businesslike.
 

6. Make sure the Work is free from typos, spelling errors, and formatting problems.
 

7. NEVER GIVE UP.
 

FIVE WAYS TO LOOK LIKE A PRO

1. Have your own website. The publishing business is becoming increasingly internet dependant. Editors spend a lot of time online. A good looking homepage, with a bio, writing samples, and contact information, is a cheap and easy way to get noticed.

2. Roll with the punches. If an editor suggests changing something, go with it. Always. This is a business, and should be treated like one. Pros don’t let their egos interfere with their work.

3. Be personable. Editors and agents don’t want to work with someone who isn’t enjoyable to be around. Writers who are easily upset, depressed, anxious, or overly enthusiastic don’t last very long in this business.

4. Make deadlines. Always. No excuses. If you’re always early, you’ll be loved for it.


5. Act professional. Make sure you have business cards and letterhead, a fax machine, an email address, and an office phone. I answer my phone, “J.A. Konrath.” It’s much more effective than “Hello?”
 
 


STAYING ON TRACK

1. Develop a routine. Writing every day isn't necessary, but you should regularly schedule time to write, and stick to that schedule.

2. Set writing goals. Daily. Weekly. Monthly. Yearly. Reward yourself when you reach these goals.

3. Unplug the internet while you're writing.

4. Spend an equal amount of time on self-promotion as you do on writing. This means making contacts, creating a website, attending conferences, and submitting short stories. Short stories pay poorly, but they're extremely important for getting your name out there. Try to send out a few every month.

5. Get feedback. It's tough to write in a vacuum. As writers, we need readers. Family, friends, peers. Luxuriate in the praise, but pay close attention to the criticism--what isn't working is often more important than what is working

6. If you get a story or a novel rejected over and over again, MOVE ON. There's no conspiracy keeping you from getting published. You've been rejected because your book isn't good enough, or it doesn't seem profitable to the publisher. Get over it and write something else.
 

DON'T LOSE IT!

I've lost writing before, and there are few things as painful in life. Here are some tricks and tips and products that will ensure you never have to feel that particular pain.

PRINT - It never hurts to keep a paper copy. If you lose the file, you can always recover the story with OCD software like Abbyy Finereader.

ZIP - Bulky zip drives have lost favor to their keychain flash drive counterparts, which can hold up to a gig on a device the size of a pencil. Just stick it in the USB port and drag 'n drop. (a novel, even a long one (150k), doesn't run more than 1 or 2 mbs, so you can back-up every bit of text on your computer and still have room to spare.

APC - The big name in batteries. This is a combo surge protector/battery back-up that prevents you from losing data during a power outage. Get one.

EMAIL - Having an extra email account, and emailing doc attachments to yourself, can't hurt.

DVD - A DVD can hold 4.7 gigs of data. They cost about 30 cents each, and a DVD burner can be picked up for under 50 bucks. CDRs are even cheaper, and hold 700mb.

FTP - If you have a website, you have a storage locker available in cyberspace under your name. Using an FTP program can allow you to save your writing on your home page (and don't worry, no one can read it there--it's hidden unless you link directly to it.)

OE BACKUP - There are a few tools available for saving your email (I use one for Outlook Express.) Find a program that fits your needs, and then save your email along with your writing. I go through my deleted and sent mail folders several times a day, trying to figure out who said what and when.

FIRE SAFE - This isn't a computer attachement. It is what it is-- a fire safe. Keep your flash drive and DVDs in the safe, in case your house burns down. Put them in a plastic bag first, to protect them from flooding. Paranoid? Talk to anyone who has lost their home to fire or flood. It doesn't hurt to also keep some copies in the car, or at Mom's house.

FILES - NEVER save just one file. I always save in different formats (wpd, doc, rtf, txt) in different places on my computer (C: drive, Desktop, My Documents) under different names.

SECOND HARD DRIVE - Also cheap, you can install an extra hard drive in your computer for less than fifty bucks. It's like having two computers in one case.

SECOND COMPUTER - Networking is a pain to set up, but using the Shared Documents folder can be a lifesaver, and is still the fastest way to transfer data.

NORTON ANTI-VIRUS - Still the leading trojan slayer. MacAfee is also big, as is Panda. Whatever you use (and you must use something,) make sure it offers updates.

Computer running slow? AdAware and Spybot are free tools (available at www.pcworld.com) that clean your computer of spyware, malware, and tracking software. You can also DEFRAGMENT your hard drive, run a DISK CHECK for errors, and use SYSTEM RESTORE if none of that works.
 


THINGS I'VE LEARNED BEING A FULLTIME WRITER

I've learned these the hard way; by making these mistakes myself. Keep them in mind when you land that deal.

  • Don't volunteer. It's very easy to get used. I'm all for helping out within the writing and publishing community, but I've gotten burned a few times. Know what is in it for you, and be clear about what you're getting in return.
     

  • Don't compare yourself to other authors. Someone is always going to have more money, larger print runs, more fans, and better deals. Competition is healthy, but it should be with yourself, not with others.
     

  • Don't listen to reviews. You will anyway, but don't take it personally. Not everyone will like your books. Not everyone will like you. It isn't important what people are saying, as long as they're saying something.
     

  • Don't go to awards ceremonies. Losing isn't a big deal. What hurts is having fifty people come up to you and say, "Sorry you lost."
     

  • Be approachable. Both in person, and in cyberspace. If someone reaches out to you, reach back.
     

  • Learn to turn it off. I'm still struggling with this. Being a writer defines me as a person, and I can't seem to ever get away from it. I've had one vacation in three years, and during that vacation I did booksignings. Know when to relax. And when you learn how, teach me how.
     

  • Cherish family and friends. After you become a writer, there won't be many people who knew you 'before.' The ones who did are special. Never let them forget how special they are.
     

  • Don't worry. No matter how much you do, how hard you try, luck still plays a huge part in success.


THINGS TO REMEMBER ABOUT THE PUBLISHING BIZ

  1. Talent has very little to do with success in this business.
     
  2. No one knows what will sell.
     
  3. Just because something is publishable, does not mean it will be published.
     
  4. Sometimes the unpublishable gets published.
     
  5. The writing business has more than its share of pettiness. But it also has more than its share of well-wishers.
     
  6. We tend to think of our successes as things that were earned, rather than the result of luck---but it actually is luck.
     
  7. Overestimating your own importance, or underestimating the importance of others, doesn't do anybody any good.
     
  8. It's necessary to work hard, but that doesn't guarantee anything.
     
  9. Few things compare to the joy of seeing your name in print.

For all the heartache, misery, and pain in this profession, number 9 makes is all worthwhile. Stick with it. Or if you need a reason to quit...


QUITTING

When I speak in public, I often tell the newbie writers in attendance that this business is horrible, and they should quit.

It always gets a few laughs, because they think I'm kidding.

Work hard for four years, and you can get an engineering degree. In seven years, you're a lawyer. Eight and you can practice medicine. Hard work = success.

Writing isn't like that. You can bust your butt for ten years, working every day, and not earn a dime. A BA in fiction writing means you're eligible for a job at Wendy's. An MFA means you can teach--but is no guarantee you'll sell a book. And why would you want to teach if you haven't succeeded in the field?

So when does a reasonable person say when? After how many rejections should you decide to try something new?

I've talked with writers about the anguish of writer's block. They speak of their WIPs like it is a monumental task to be conquered, a war to be fought, torture to be endured.

This is how you want to spend your free time?

I read a lot of newbie writing, and 90% of it is bad. Could it be improved? Sure. I always spout that persistence trumps talent. But it took me 12 years to sell a book, and the stuff I was writing back in the day was better than much of the newbie stuff I read. Does that mean I'm fostering hope for hundreds of writers who won't sell anything until 2025, if ever?

The odds are against you, more so than almost any other profession. Very few have what it takes, and even if you do, lady luck may snub you anyway.

Here's a short list of reasons to quit. If you see yourself on here, it may be time to try your hand at something else.

  1. You've been doing this for more than five years, and haven't sold anything.
  2. You've got some kind of degree in writing, and haven't sold anything.
  3. Writing causes you pain.
  4. You've been working on one novel for five years.
  5. You're great at starting stories, but never finish them.
  6. You want to be a writer, but spend all your time going to classes and researching, but never get any writing done.
  7. You could live without ever writing again.
  8. You think that writing will make you rich.
  9. You believe that once you sell a book, it's a cakewalk from then on.
  10. You truly feel that you have something important to say.
  11. You think being a writer is cool.
  12. You're doing it to show your family and friends.
  13. You want to win awards.
  14. You believe that editing, rewriting, and revision are for the less-talented.
  15. You have a thin skin.
  16. You think that writing will make you famous.
  17. You think that once you're in print, that will be enough and you'll never want more.
  18. You think there's a conspiracy keeping you from getting published.
  19. You don't live to write.
  20. At the end of your life, if you're still not published, it will hurt you.

    If any of the above apply to you, consider doing something else with your free time. While high school sports couches crow that quitters never win, Dirty Harry famously said, "A man's got to know his limitations."

    Why torture yourself when you could do something you'd be more successful at?

    The cold hard fact is: most of the people trying to get published won't get published, and most of the people who do get published won't be successful.

    Which brings me to the most important point of all:
     
  21. If this list made you consider quitting, you absolutely must quit.

If all it did was rile you up, well, welcome to hell. I wish you much success.

I also recommend Prozac, alcohol, and lots of understanding friends.
 

NEWBIE WRITER RESOLUTIONS

  • I will start/finish the damn book
  • I will always have at least three stories on submission, while working on a fourth
  • I will attend at least one writer's conference, and introduce myself to agents, editors, and other writers
  • I will subscribe to the magazines I submit to
  • I will join a critique group. If one doesn't exist, I will start one at the local bookstore or library
  • I will finish every story I start
  • I will listen to criticism
  • I will create/update my website
  • I will master the query process and find an agent
  • I'll quit procrastinating in the form of research, outlines, synopses, taking classes, reading how-to books, talking about writing, and actually write something
  • I will refuse to get discouraged, because I know JA Konrath wrote 9 novels, received almost 500 rejections, and penned over 1 million words before he sold a thing--and I'm a lot more talented than that guy

 

PRO WRITER RESOLUTIONS

  • I will keep my website updated
  • I will start a blog
  • I will schedule bookstore signings, and while at the bookstore I'll meet and greet the customers rather than sit dejected in the corner
  • I will send out a newsletter, emphasizing what I have to offer rather than what I have for sale, and I won't send out more than four a year
  • I will learn to speak in public, even if I think I already know how
  • I will make selling my books my responsibility, not my publisher's
  • I will stay in touch with my fans
  • I will contact local libraries, and tell them I'm available for speaking engagements
  • I will attend as many writing conferences as I can afford
  • I will spend a large portion of my advance on self-promotion
  • I will help out other writers
  • I will not get jealous, will never compare myself to my peers, and will cleanse my soul of envy
  • I will be accessible, amiable, and enthusiastic
  • I will do one thing every day to self-promote
  • I will always remember where I came from

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